David Devensky

Free – only if requested with 3 other titles. Old maids of the “gay 90s” lament over Sister Kate’s Shimmy. In the end they find ...

VAMPEER is told through a color mist and floating vales. A non-narrative film in the tradition of the Weber-Watson “Fall of the House of ...

Consisting basically of home movie footage of family, relatives, and myself during the mid-1940’s I have included loops of certain ...

I planned the Divine Comprehension to be my magnum opus however, although it is complete, I never considered it finished. As in PROOF (and, in ...

“… consists of chickens being butchered and hung out on meat hooks, to the accompaniment of the Fifth Symphony. As the film ...

The apotheosis of Devensky’s work is CATERPILLARS AND ANTS which technically resembles a Lumiere film. The camera starts at a man eating ...

PROOF is a film so personal that it approaches therapy, but there are certain Devensky preoccupations which become readily apparent to everyone ...

I made this film with my brother Danny to try and capture our warped sense of humor. What turned out is a series of comedy characters, ...

Devensky’s evolutionary theory… is considerably more subtle. The same man as in CATERPILLARS and ANTS is sitting alone in an ...